{"id":3158,"date":"2026-02-24T14:39:03","date_gmt":"2026-02-24T11:39:03","guid":{"rendered":"https:\/\/dekaspilot.com\/?p=3158"},"modified":"2026-02-24T15:19:29","modified_gmt":"2026-02-24T12:19:29","slug":"ocak-subat-2004-heybeliadadaki-preveze-zaferi-mozaik-panosuna-ne-oldu-denizcilik-dergisi","status":"publish","type":"post","link":"https:\/\/dekaspilot.com\/?p=3158","title":{"rendered":"Ocak-\u015eubat 2004- HEYBEL\u0130ADA\u2019DAK\u0130 PREVEZE ZAFER\u0130 MOZA\u0130K PANOSUNA NE OLDU?- DEN\u0130ZC\u0130L\u0130K Dergisi"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Ocak-\u015eubat 2004- HEYBEL\u0130ADA\u2019DAK\u0130 PREVEZE ZAFER\u0130 MOZA\u0130K PANOSUNA NE OLDU?- DEN\u0130ZC\u0130L\u0130K Dergisi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

DEN\u0130ZATI Dergisi Mart-Nisan 2004<\/strong><\/p>

Heybeliada\u2019daki Preveze Zaferi Mozaik Panosuna Ne Oldu ?<\/strong><\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Kapt. Aykut Erol<\/strong><\/p>
\u00a0\u201cKitapta s\u00f6z edilen, bir\u00e7ok ansiklopedi, kitap, dergi ve gazetelerde hakk\u0131nda yaz\u0131lar yaz\u0131lm\u0131\u015f, resimleri bas\u0131lm\u0131\u015f, Heybeliada ve Deniz Harp Okulu ve Lisesi\u2019nin simgesi haline gelmi\u015f, \u00f6zellikle Heybeliada vapur iskelesine yana\u015f\u0131p, kalkan vapurlardan t\u00fcm\u00fc a\u00e7\u0131k\u00e7a g\u00f6r\u00fcld\u00fc\u011f\u00fc i\u00e7in bakanlar\u0131n g\u00f6zlerini alamay\u0131p hayranl\u0131kla seyretti\u011fi, al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir geometrik soyut anlay\u0131\u015fla \u00e7izilmi\u015f ve uyum i\u00e7inde renklendirilmi\u015f, 7mx30m boyutlar\u0131ndaki, 210 metre karelik bu dev mozaik pano, \u201cPreveze Deniz Zaferi\u201d adl\u0131 de\u011ferli sanat eseri, yok art\u0131k!\u201d<\/strong><\/td><\/tr><\/tbody><\/table>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>

\u201cHeybeliada\u2019da Deniz Harp Okulu\u2019nun \u00f6n cephesini b\u00fcy\u00fck, \u00e7ok b\u00fcy\u00fck bir yap\u0131t s\u00fcsler. Kim yapm\u0131\u015ft\u0131r? Ne \u00e7abalar ve zorluklar sonucu ortaya konulmu\u015ftur?\u2026Bilinmez. Ama Adalar\u2019a do\u011fru uzanan her \u0130stanbul\u2019lu, vapurun iskeleye yana\u015ft\u0131\u011f\u0131 anda, bu g\u00fczel eseri bir be\u011feni ile izlemi\u015ftir. Orada mimari ile resim, konu ile sanat, eski ile yeni yan yanad\u0131r, i\u00e7 i\u00e7edir. B\u00fct\u00fcn bu sentezlerin \u00f6tesinden, Ferruh Ba\u015fa\u011fa muzip ve zeki g\u00f6zlerle gelip ge\u00e7enlere g\u00fcl\u00fcmser\u2026 Kim bilir neler neler s\u00f6yler\u2026\u201d<\/p>

Yukar\u0131daki paragraf\u0131, 1989 y\u0131l\u0131nda, \u201cSanat \u00c7evresi Dergisi\u201d taraf\u0131ndan, k\u00fclt\u00fcr ve sanat yay\u0131nlar\u0131n\u0131n 4. kitab\u0131 olarak bas\u0131lan ve Dr. Erdo\u011fan Tanaltay\u2019\u0131n yazd\u0131\u011f\u0131 \u201cSanat Ustalar\u0131yla \u2026 Bir G\u00fcn (S\u00f6yle\u015filer)\u201d adl\u0131 kitaptan ald\u0131m.<\/p>

Ancak, Sn. Tanaltay\u2019\u0131n \u00f6vg\u00fcyle s\u00f6z etti\u011fi, bir\u00e7ok ansiklopedi, kitap, dergi ve gazetelerde hakk\u0131nda yaz\u0131lar yaz\u0131lm\u0131\u015f, resimleri bas\u0131lm\u0131\u015f, Heybeliada ve Deniz Harp Okulu ve Lisesi\u2019nin simgesi haline gelmi\u015f, \u00f6zellikle Heybeliada vapur iskelesine yana\u015f\u0131p, kalkan vapurlardan t\u00fcm\u00fc a\u00e7\u0131k\u00e7a g\u00f6r\u00fcld\u00fc\u011f\u00fc i\u00e7in bakanlar\u0131n g\u00f6zlerini alamay\u0131p hayranl\u0131kla seyretti\u011fi, al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir geometrik soyut anlay\u0131\u015fla \u00e7izilmi\u015f ve uyum i\u00e7inde renklendirilmi\u015f, 7m.x30m. boyutlar\u0131ndaki, 210 metre karelik bu dev mozaik pano, \u201cPreveze Deniz Zaferi\u201d adl\u0131 de\u011ferli sanat eseri, yok art\u0131k!<\/p>

Evet, 1953 y\u0131l\u0131nda Deniz Kuvvetleri\u2019nin yapt\u0131\u011f\u0131 bir yar\u0131\u015fma sonucu, daha sonra cumhurba\u015fkan\u0131 olacak, sn. Fahri Korut\u00fcrk\u2019\u00fcn de bulundu\u011fu j\u00fcride a\u011f\u0131rl\u0131\u011f\u0131n\u0131 koyarak birinci se\u00e7ilmesini sa\u011flad\u0131\u011f\u0131, ressam Ferruh Ba\u015fa\u011fa\u2019ya ait bu g\u00fczel eser, yap\u0131lmas\u0131n\u0131n tamamland\u0131\u011f\u0131 1955 y\u0131l\u0131ndan 2001 y\u0131l\u0131na kadar, 46 y\u0131l boyunca, cumhuriyet T\u00fcrkiye\u2019sinin \u00f6nemli sanat eserleri aras\u0131nda yer alan bu yap\u0131t, art\u0131k yok!<\/p>

Neden mi? Yan\u0131t\u0131, 22 Eyl\u00fcl 2003 tarihli Cumhuriyet Gazetesi\u2019nin bir haber ba\u015fl\u0131\u011f\u0131nda \u00f6zetlenmi\u015f: \u201cPreveze Sava\u015f\u0131 Panosu S\u00f6k\u00fclemedi\u011fi \u0130\u00e7in Y\u0131k\u0131ld\u0131\u201d.<\/p>

Haberde \u00f6zetle \u015funlar anlat\u0131l\u0131yor: \u201cDeniz Kuvvetleri Komutanl\u0131\u011f\u0131 Genel Sekreterli\u011fi\u2019nin a\u00e7\u0131klamas\u0131na g\u00f6re, 1999 depreminde hasar g\u00f6ren ve hayati tehlike ta\u015f\u0131d\u0131\u011f\u0131 a\u00e7\u0131klanan, Deniz Lisesi binalar\u0131n\u0131n yeniden in\u015fas\u0131na olan acil gereksinim dolay\u0131s\u0131yla, \u00fczerinde Preveze Deniz Sava\u015f\u0131 Panosu bulunan bina y\u0131k\u0131lmak zorunda kal\u0131nm\u0131\u015ft\u0131r.\u201d<\/p>

Ressam Ferruh Ba\u015fa\u011fa\u2019y\u0131 yak\u0131ndan tan\u0131d\u0131\u011f\u0131mdan, y\u0131k\u0131m \u00f6ncesindeki geli\u015fmeleri bilen birisi olarak \u015funlar\u0131 da anlatmal\u0131y\u0131m: Deniz Kuvvetleri y\u0131k\u0131m karar\u0131 ald\u0131\u011f\u0131nda, bunu Ferruh Ba\u015fa\u011fa\u2019ya bildirdi. Ancak, Deniz Kuvvetleri\u2019nin al\u0131p ba\u015fka bir yere g\u00f6t\u00fcremedi\u011fi bu dev panoyu, Ferruh Ba\u015fa\u011fa kendi olanaklar\u0131yla yerinden nas\u0131l als\u0131n ve nereye g\u00f6t\u00fcrs\u00fcn? Bu s\u0131rada, durumdan bir bi\u00e7imde haberdar olan, T.C \u0130\u015f Bankas\u0131 A.\u015e. Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc devreye girip, Ferruh Ba\u015fa\u011fa\u2019ya, kendilerine ba\u011f\u0131\u015flamas\u0131 ko\u015fuluyla, mozaik panonun yerinden s\u00f6k\u00fclerek ba\u015fka bir yere ta\u015f\u0131nmas\u0131n\u0131 ve restore edilmesini \u00fcstlenebileceklerini bildirdi. Bunun \u00fczerine Ferruh Ba\u015fa\u011fa, panoyu 6 Aral\u0131k 2000 tarihinde \u0130\u015f Bankas\u0131 Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019ne ba\u011f\u0131\u015flad\u0131. Daha sonra, Deniz Kuvvetleri\u2019nin y\u0131k\u0131ma ba\u015flayaca\u011f\u0131 15 May\u0131s 2001 tarihine kadar, bulundu\u011fu yerden s\u00f6k\u00fclerek ta\u015f\u0131nmas\u0131 gereken mozaik pano, gerek \u201cbulundu\u011fu duvardan s\u00f6k\u00fclmesinin zorlu\u011fu\u201d, gerekse \u201cs\u00f6k\u00fclme, ta\u015f\u0131nma ve restore edilmesiyle ilgili maliyetlerin y\u00fcksek bulunmas\u0131\u201d nedenleri gerek\u00e7e g\u00f6sterilerek, \u0130\u015f Bankas\u0131 Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc taraf\u0131ndan yerinden al\u0131nmad\u0131.<\/p>

Bu durumda sonu\u00e7 olarak, cumhuriyet tarihimizin, denizcilikle ilgili ender eserlerinden birisi, 46 y\u0131l Heybeliada\u2019ya gidip gelenlerin ve orada oturanlar\u0131n hayranl\u0131kla seyretti\u011fi, dergilere, kitaplara, ansiklopedilere girmi\u015f, Deniz Harp Okulu, Deniz Lisesi ve Heybeliada\u2019n\u0131n simgesi olmu\u015f bu dev eser yok oldu.<\/p>

Biz denizciler ve yurt d\u0131\u015f\u0131na \u00e7\u0131kanlar iyi bilir; gidilen \u00f6zellikle geli\u015fmi\u015f \u00fclkelerin \u015fehirlerinin her k\u00f6\u015fesinde heykeller, mozaikler, kabartmalar, duvar resimleri, vitraylar kar\u015f\u0131n\u0131za \u00e7\u0131kar; bu \u015fehirlerde sanat eserleri insanlarla i\u00e7 i\u00e7edir.<\/p>

Bizde ise \u015fehirlerimizde zaten tek t\u00fck bulunan sanat eserleri ya bak\u0131ms\u0131zl\u0131ktan ya umursamazl\u0131ktan ya da insanlar\u0131m\u0131z\u0131n do\u011frudan k\u0131r\u0131p d\u00f6kmesiyle yok olur gider. Tarihin bize miras b\u0131rakt\u0131\u011f\u0131 eserlerin durumu da zaten ortada. Preveze Deniz Zaferi mozaik panosunun y\u0131k\u0131l\u0131p, yok olmas\u0131 da, toplumumuzun sanata olan uzakl\u0131\u011f\u0131na uygun olarak, medyada \u00e7\u0131kan birka\u00e7 c\u0131l\u0131z haberin d\u0131\u015f\u0131nda ilgi g\u00f6rmedi; bir grup duyarl\u0131 Heybeliadal\u0131 ve sanat severden ba\u015fka konuyla ilgilenen de olmad\u0131.<\/p>

Preveze Deniz Zaferi mozaik panosunun o g\u00fczel g\u00f6r\u00fcn\u00fcm\u00fc, \u00e7izimi ve renkleri, ne yaz\u0131k ki, \u015fu anda foto\u011fraflarda kalm\u0131\u015f g\u00f6r\u00fcn\u00fcyor. Bununla birlikte yine de, \u201cAcaba, bu g\u00fczel eser, uygun bir yerde yeniden yap\u0131lamaz m\u0131?\u201d sorusu akla geliyor. Bu konuyu say\u0131n Ferruh Ba\u015fa\u011fa\u2019yla konu\u015ftum.<\/p>

Ancak \u00f6nce, size kendisinden k\u0131saca s\u00f6z etmeliyim. \u00d6ncelikle, Ferruh Ba\u015fa\u011fa 60 y\u0131l\u0131 ge\u00e7en sanat hayat\u0131nda, sanat\u0131n hemen hi\u00e7bir dal\u0131na gereken de\u011fer verilmeyen, resim al\u0131p duvarlar\u0131na asanlar\u0131n \u00e7o\u011funlu\u011funun bile yaln\u0131zca portre, do\u011fa ve meyve resimlerini tercih etti\u011fi \u00fclkemizde, hayat\u0131n\u0131 \u201csoyut resim\u201d yaparak ge\u00e7irme ve belirli yerlere gelebilme mucizesini g\u00f6stermi\u015f bir ressam\u0131m\u0131zd\u0131r. Yap\u0131 Kredi Sanat Galerisi\u2019nde a\u00e7t\u0131\u011f\u0131 sergi nedeniyle, 03 \u015eubat 2000 tarihli Radikal Gazetesi\u2019nin K\u00fclt\u00fcr\/Sanat sayfas\u0131n\u0131n ba\u015fl\u0131\u011f\u0131nda verildi\u011fi gibi, Ferruh Ba\u015fa\u011fa, \u00fclkemizde \u201cSoyut resmin duayeni\u201ddir.<\/p>

Onun, \u201cneden soyut resim yapt\u0131\u011f\u0131n\u0131\u201d ve \u201cbak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131\u201d, \u00e7o\u011funlukla de\u011ferli \u015fair, oyun, deneme ve roman yazar\u0131m\u0131z Melih Cevdet Anday\u2019\u0131n da bulundu\u011fu ak\u015fam yeme\u011fi sohbetlerinde konu\u015fulanlara dayanarak \u015f\u00f6yle \u00f6zetleyebilirim: Resim sanat\u0131 ba\u015flang\u0131c\u0131ndan bu yana \u00e7e\u015fitli d\u00f6nemlerden ge\u00e7ti. \u0130zlenimciler (empresyonistler) d\u00f6nemine gelindi\u011finde, onlar, kendilerinden \u00f6nce yap\u0131lan suni \u0131\u015f\u0131kl\u0131 at\u00f6lye resmine, koyu renklere, tarihi ve dini olaylara ait resimlere tepki g\u00f6sterdiler. Do\u011faya \u00e7\u0131k\u0131p, g\u00fcn \u0131\u015f\u0131\u011f\u0131 alt\u0131nda, renk zenginli\u011fi ve parlak g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131yla yo\u011frulmu\u015f, a\u00e7\u0131k hava resimleri yapt\u0131lar. Bu arada, g\u00f6z\u00fcm\u00fczle g\u00f6rd\u00fcklerimizin, bak\u0131lan a\u00e7\u0131ya, g\u00fcn\u00fcn, mevsimin de\u011fi\u015fik zamanlar\u0131ndaki \u0131\u015f\u0131klara g\u00f6re renk ve bi\u00e7im de\u011fi\u015ftirdi\u011fini fark ettiler. \u00d6rne\u011fin, C. Monet, de\u011fi\u015fik zamanlarda, yan yana duran iki ot y\u0131\u011f\u0131n\u0131n\u0131n on be\u015f, Fransa\u2019daki Roven Katedrali\u2019nin yirmi de\u011fi\u015fik tablosunu yaparak, g\u00fcnlerin ve mevsimlerin sonsuz \u0131\u015f\u0131k de\u011fi\u015fikliklerini incelemi\u015f, g\u00f6rd\u00fcklerimizin, ger\u00e7ekte, ko\u015fullara g\u00f6re nas\u0131l de\u011fi\u015febilece\u011fini ortaya koymu\u015ftur.<\/p>

Bu geli\u015fmelerin, ressamlar\u0131 \u201cger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fc\u011fe\u201d nas\u0131l g\u00f6t\u00fcrd\u00fc\u011f\u00fcn\u00fc \u201cParis Yaz\u0131lar\u0131\u201d adl\u0131 kitab\u0131nda, M.C.Anday \u015f\u00f6yle anlatm\u0131\u015ft\u0131r: \u201cG\u00fcn\u00fcn her saatinde g\u00f6r\u00fcn\u00fc\u015f de\u011fi\u015ftiren nesneyi, \u00f6yle ise, usumuzla da de\u011fi\u015ftirebilir, d\u00fcnyaya yeni bi\u00e7imler verebiliriz.\u201d\u2026 \u201cSanat\u00e7\u0131 art\u0131k kendisini do\u011fan\u0131n taklit\u00e7isi gibi de\u011fil, \u00f6zg\u00fcr bir yarat\u0131c\u0131 olarak g\u00f6r\u00fcyordu.\u201d<\/p>

Ferruh Ba\u015fa\u011fa da, \u00f6zellikle foto\u011fraf makinesinin icad\u0131ndan sonra bir sanat\u00e7\u0131n\u0131n \u00e7evresinde g\u00f6rd\u00fcklerini yans\u0131tan resimler yapmas\u0131n\u0131n fazla \u00f6nemi kalmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyor. Bu arada, d\u00fcnyaca \u00fcnl\u00fc foto\u011fraf\u00e7\u0131m\u0131z Ara G\u00fcler\u2019in de, sanat\u0131n temelinde \u201cyeni ve de\u011fi\u015fik bir \u015fey yaratmak\u201d yatt\u0131\u011f\u0131 i\u00e7in, \u00e7evremizdekileri oldu\u011fu gibi yans\u0131tmas\u0131ndan \u00f6t\u00fcr\u00fc, foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 bir \u201csanat dal\u0131\u201d saymad\u0131\u011f\u0131n\u0131 belirtmek gerek.<\/p>

\u00d6zet olarak, Ferruh Ba\u015fa\u011fa\u2019ya g\u00f6re: Bir ressam nesneleri, renkler ve \u0131\u015f\u0131klarla oynayarak ne kadar de\u011fi\u015ftirirse de\u011fi\u015ftirsin, kendi yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131 tam ortaya koyamaz. Oysa beyninizdeki d\u00fc\u015f\u00fcnce g\u00fcc\u00fcn\u00fczle, do\u011fada, \u00e7evrede g\u00f6rmedi\u011finiz, onlar\u0131n tam kopyas\u0131 olmayan bi\u00e7imlerden ve renk d\u00fczenlemelerinden olu\u015fan, \u201csoyut\u201d bir resim yaparsan\u0131z, bu t\u00fcm\u00fcyle sizin yaratt\u0131\u011f\u0131n\u0131z ve yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131z\u0131 yans\u0131tan bir eser olur. Esasen, sanat\u0131n temelinde de, daha \u00f6nce yap\u0131lmam\u0131\u015f, farkl\u0131, yeni bir eser ortaya koymak, \u201cyaratmak\u201d yatt\u0131\u011f\u0131na g\u00f6re, soyut resimler buna daha uygundur.<\/p>

1939 y\u0131l\u0131ndan ba\u015flayarak bir\u00e7ok \u00f6d\u00fcl alm\u0131\u015f olan Ferruh Ba\u015fa\u011fa\u2019n\u0131n, 1985\u2019de g\u00f6rsel sanatlar dal\u0131nda \u201cSedat Simavi Vakf\u0131 \u00d6d\u00fcl\u00fc\u201dn\u00fc, 1999\u2019da \u201cT\u00fcrkiye GESAM Sayg\u0131 ve Onur \u00d6d\u00fcl\u00fc\u201dn\u00fc kazanmas\u0131 dolay\u0131s\u0131yla H\u00fcrriyet, Milliyet, Radikal, Cumhuriyet v.b. \u00e7e\u015fitli gazetelerde yay\u0131nlanan r\u00f6portajlar\u0131nda belirtti\u011fi \u015fu iki t\u00fcmce \u00f6nemlidir: \u201cBana g\u00f6re, soyut resim \u00e7a\u011fda\u015f resimdir\u201d ve \u201cSoyut resim, \u00e7a\u011f\u0131m\u0131z\u0131n ak\u0131lc\u0131l\u0131\u011f\u0131n\u0131, dinamizmini ve geni\u015f g\u00f6r\u00fc\u015fl\u00fcl\u00fc\u011f\u00fcn\u00fc yans\u0131tmaktad\u0131r\u201d.<\/p>

Son olarak, Ferruh Ba\u015fa\u011fa\u2019n\u0131n \u015fu g\u00f6r\u00fc\u015f\u00fcn\u00fc belirtmeliyim: \u201cBen ba\u015ftan beri, yapt\u0131\u011f\u0131m i\u015flerin, eserlerin topluma ula\u015fmas\u0131n\u0131, toplum taraf\u0131ndan g\u00f6r\u00fclmesini isterim. Bu a\u00e7\u0131dan, mimaride yer alan duvar resimlerini, mozaikleri, vitraylar\u0131, freskleri, r\u00f6lyefleri \u00e7ok sevdi\u011fimden, resmi daire, okul, hastane, banka gibi yerlerde eserler yapmaya hep \u00f6ncelik verdim. Bunlar hem b\u00fcy\u00fck boyutlarda olabildi\u011finden uzaktan bile g\u00f6r\u00fclebiliyor, hem de her zaman halk\u0131n \u00f6n\u00fcnde. Dolay\u0131s\u0131yla seyircisi \u00e7ok ve seyirci bunlara al\u0131\u015ft\u0131k\u00e7a resmi de, sanat\u0131 da benimsiyor. Bunun resim ve plastik sanatlar\u0131n \u00fclkemizde geli\u015fmesinde b\u00fcy\u00fck faydas\u0131 olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.\u201d<\/p>

Ferruh Ba\u015fa\u011fa bu g\u00f6r\u00fc\u015f\u00fcne uygun olarak bir\u00e7ok \u00e7al\u0131\u015fma yapm\u0131\u015ft\u0131r; bunlardan baz\u0131lar\u0131 \u015funlard\u0131r: T\u00fcrkiye B\u00fcy\u00fck Millet Meclisi\u2019nde vitray, mozaik; Ortado\u011fu Teknik \u00dcniversitesi\u2019nde vitray; Hacettepe \u00dcniversitesi\u2019nde mozaik, seramik; Ankara T\u0131p \u0130htisas Fak\u00fcltesi\u2019nde mozaik; Ankara G\u00fclhane Askeri T\u0131p Akademisi\u2019nde vitray; Ankara Toprak Mahsulleri Gn. M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nde vitray; Ankara (eski Ula\u015ft\u0131rma Bakanl\u0131\u011f\u0131) \u015fimdiki T.C.D.D Gn. M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nde duvar resmi; Ankara Ziraat Bankas\u0131 Gn. M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nde vitray, r\u00f6lyef; \u0130zmir Efes Oteli\u2019nde mozaik; Bal\u0131kesir\u2019de bir okulda mozaik; \u0130stanbul Belediye Saray\u0131\u2019nda fresk; Tarabya Oteli\u2019nde vitray; 4. Levent Sitesindeki 6 apartman\u0131n d\u0131\u015f y\u00fczeyinde mozaik panolar; Kuyuba\u015f\u0131 M.\u015eefizade \u0130lk Okulu\u2019nda vitray; Feneryolu K\u0131z Meslek Enstit\u00fcs\u00fc\u2019nde mozaik; Kalam\u0131\u015f K\u0131z Koleji\u2019nde mozaik, vitray; \u00c7emberlita\u015f Sinemas\u0131\u2019nda vitray; Osmanl\u0131 Bankas\u0131\u2019n\u0131n \u00e7e\u015fitli \u015fubelerinde vitray, seramik ve r\u00f6lyefler; Yap\u0131 Kredi Bankas\u0131\u2019n\u0131n \u00e7e\u015fitli \u015fubelerinde vitraylar.<\/p>

Ve ku\u015fkusuz bunlardan birisi de, Heybeliada Deniz Harp Okulu\u2019ndaki mozaik pano idi.<\/p>

17 May\u0131s 2001 tarihli Cumhuriyet Gazetesi\u2019ndeki \u201cvaziyet\u201d k\u00f6\u015fesinde Deniz Som\u2019un yazd\u0131klar\u0131 \u015f\u00f6yle bitiyor: \u201c\u2026\u015eu s\u0131ralar binan\u0131n y\u0131k\u0131m\u0131 s\u00fcr\u00fcyor\u2026 Binan\u0131n cephesindeki pano ise hen\u00fcz duruyor ve yerinden s\u00f6k\u00fcl\u00fcp ba\u015fka bir yere nakledilmesi i\u00e7in en az 100 bin dolar gerekiyor\u2026 Ekonomik kriz bu paran\u0131n bulunmas\u0131n\u0131 engelliyor\u2026 Bir T\u00fcrk sanat\u00e7\u0131s\u0131n\u0131n eseri yak\u0131nda y\u0131k\u0131l\u0131p par\u00e7alanacak\u2026 Panoyu kurtarmak gerekiyor\u2026 Hi\u00e7 olmazsa panonun bulundu\u011fu duvar y\u0131k\u0131lmas\u0131n\u2026 Duvar dursun\u2026 Arkas\u0131ndan desteklensin, \u00e7evresinde g\u00fcvenlik \u00f6nlemi al\u0131ns\u0131n, dursun\u2026 Yar\u0131n, T\u00fcrkiye ekonomik krizden kurtulunca, eseri kurtarmak s\u00f6z konusu olabilir\u2026Hatta bug\u00fcn bile ba\u015flat\u0131lacak bir kampanya ile sanata,tarihe ve denizcili\u011fe sayg\u0131 duyan kurum ve kurulu\u015flar\u0131n 5\u2019er 10\u2019ar bin dolarl\u0131k katk\u0131s\u0131 ile 100 bin dolar da toplan\u0131r, 150 bin dolar da\u2026 Panoyu biz y\u0131kmayal\u0131m\u2026 Y\u0131kacaksa olas\u0131 deprem y\u0131ks\u0131n\u2026\u201d<\/p>

Ancak, olmad\u0131; bu g\u00fczel panoyu deprem de\u011fil biz y\u0131kt\u0131k. Olan oldu. Art\u0131k, \u201c\u015eimdi bir \u015fey yap\u0131labilir mi?\u201d ona bakmak gerek. Bu durumu say\u0131n Ferruh Ba\u015fa\u011fa ile konu\u015fup \u015funu sordum: \u201c\u015eayet bir bi\u00e7imde, Preveze Deniz Zaferi mozaik panosu, uygun bir yerde, yeniden yapt\u0131r\u0131lmak istenirse bu m\u00fcmk\u00fcn olabilir mi?\u201d. Bana \u015funu s\u00f6yledi: \u201cHeybeliada panosu yap\u0131l\u0131rken ba\u015f\u0131nda bulunup yap\u0131m\u0131na da kat\u0131ld\u0131m. Ancak, ya\u015f\u0131m dolay\u0131s\u0131yla bunu bug\u00fcn yapamam. Ama o panonun eskizleri h\u00e2l\u00e2 elimde, dolay\u0131s\u0131yla yapt\u0131r\u0131lmak istenirse bu m\u00fcmk\u00fcn olur; ben de elimden gelen yard\u0131m\u0131 ve katk\u0131y\u0131 sa\u011flar\u0131m\u201d. Evet, t\u00fcm resmi, \u00f6zel, ilgili, yetkili ve sanatseverlere duyurulur.<\/p>

Bakal\u0131m toplum olarak bu s\u0131navdan ge\u00e7ip, art\u0131k, sanata, de\u011ferlerimize sahip \u00e7\u0131kmaya ba\u015flad\u0131\u011f\u0131m\u0131z\u0131 g\u00f6sterebilecek miyiz?<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Ocak-\u015eubat 2004- HEYBEL\u0130ADA\u2019DAK\u0130 PREVEZE ZAFER\u0130 MOZA\u0130K PANOSUNA NE OLDU?- DEN\u0130ZC\u0130L\u0130K Dergisi DEN\u0130ZATI Dergisi Mart-Nisan 2004 Heybeliada\u2019daki Preveze Zaferi Mozaik Panosuna Ne Oldu ? \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3158","post","type-post","status-publish","format-standard","hentry","category-yazar-k-kaptanlar"],"_links":{"self":[{"href":"https:\/\/dekaspilot.com\/index.php?rest_route=\/wp\/v2\/posts\/3158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dekaspilot.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dekaspilot.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dekaspilot.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dekaspilot.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3158"}],"version-history":[{"count":4,"href":"https:\/\/dekaspilot.com\/index.php?rest_route=\/wp\/v2\/posts\/3158\/revisions"}],"predecessor-version":[{"id":3162,"href":"https:\/\/dekaspilot.com\/index.php?rest_route=\/wp\/v2\/posts\/3158\/revisions\/3162"}],"wp:attachment":[{"href":"https:\/\/dekaspilot.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dekaspilot.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dekaspilot.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}